Sergio Calligaris' piano technique is one of the most interesting and involving aspects of his entire artistic profile.
An astonishing technique which leaves amazed not only because of beauty, clearness and purity of sound, always balanced and careful up to its very inmost expressive shade; but also visually impressive because of the absolute independence of fingers, hook-curved in hands let's say "armed", with a spurt power, a touch accuracy and an infinitesimal control which reveal an innate personal talent trained by a sturdy practice of the old days up to the slightest technical and performing details. Here is an example:

As it is clear, much more eloquent than whatever explanation is the living experience of this technique, by means of listening and watching the Artist at work: those who have got experience in this, during a Maestro's concert, can't keep anything but an impressed memory. Who instead, like the writer, got the extraordinary opportunity to attend Sergio Calligaris' interpretation at his piano, feels to have had a privilege that Maestro grants only to a few people. And from that splendid and indomitable Bechstein that, like Odysseus bending his own bow, he only can tame thanks to his amazing technique - because of the deep and slow action of keys which make it an instrument out of reach of many other fierce pianists - rippling waves, billows and darting sprays of sea gushed with crystal clear fluency, softly smashing onto the quietly fluctuating planking of Une Barque sur l'océan, from Ravel's Miroirs. And the lucky listener can hardly recover from the poetic entrancement evoked by the Artist...

To bear witness to Maestro's technique, I will hereafter attach more and more examples to listen, as a preview in RealMedia© format (marked by icon  ) or to download on hard disk as a hi-fi version, in MP3 format (icon  ) or WMA for Windows© users (icon  ): in any case placing the mouse cursor over an icon allows the appearance of a pop-up with information related to duration of piece, size of file and features of output.

"His playing is distinguished by a romantic élan and virtuoso technique. "
[Nicolas Slonimsky, "The Baker's Biographical Dictionary of Musicians"
Edition - G. Schirmer, New York, 1991]

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All excerpts have been taken out from:
[1] C053-17973: Bis celebri - EMI His Master's voice (1969)
[2] ORS 7142: Sergio Calligaris - Orion Records (1971)
[3] ORS 7286: Piano Music of Latin America - Orion Records (1972)
(LPs digitally remastered by Carlo Bellani)
[4] ACD 069, ADD, Ares - Libreria Editrice Vaticana (1993, recordings 1967-'68).

Fryderyk CHOPIN (1810-1849)
[4] NOCTURNE in E flat major, op.9 n.2
[4] ETUDE in C minor, op.10 n.12
[3] POLONAISE in C sharp minor, op.26 n.1
[4] WALTZ in A flat major, op.34 n.1
[4] IMPROMPTU in F sharp major, op.36
[4] IMPROMPTU in G flat major, op.51
[1] POLONAISE in A flat major, op.53 "Heroic"
Robert SCHUMANN (1810-1856)
[1] AUFSCHWUNG, op.12 n.2
[3] ARABESQUE, in C major, op.18
Franz LISZT (1811-1886)
[1] HUNGARIAN RHAPSODY n.6
Claude DEBUSSY (1862-1918)
[1] FIREWORKS, from "Preludes" Book II
Enrique GRANADOS (1867-1916)
[1] SPANISH DANCE n.5 "Andalucia"
Juan B. AGUIRRE (1868-1924)
[3] TRISTE (Elegy) N.4 "Cordoba"
Sergej RACHMANINOV (1873-1943)
[4] PRELUDE, in C sharp minor, op.3 n.2
[1] PRELUDE, in G minor, op.23 n.5
Maurice RAVEL (1875-1937)
[2] PAVANE pour une infante défunte
[3] UNE BARQUE SUR L'OCEAN, from Miroirs
Manuel DE FALLA (1876-1946)
[1] RITUAL FIRE DANCE
Floro M. UGARTE (1884-1975)
[3] PRELUDE in G minor
Francisco MIGNONE (1897-1986)
[3] PRELUDE n.6 "Caiçaras"